Stalled Parade by
Eleventh Dream Day Thrill Jockey thrill 085 • 2000
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Founded in 1983 by Rick Rizzo (guitar, vocals) and Janet Beveridge Bean
(drums, vocals), Eleventh Dream Day was joined soon thereafter by
Douglas McCombs (bass) and Baird Figi (Guitar). 1987 saw the release
of their debut self–titled EP on Amoeba. Eleventh Dream Day recorded
two more records on Amoeba before signing to Atlantic in 1987. Atlantic
issued three albums and one promotional live album before releasing the
group in 1994. 1995 saw the release of Ursa Major on Chicago’s
Atavistic label. Yet another label change saw the release in 1997 of
Eighth on Thrill Jockey. In recent years Eleventh Dream Day has been
the trio of McCombs, Bean, and Rizzo aided and abetted by friends such
as Ira Kaplan, Tara Key, John McEntire, Wink O’Bannon and James Garbe.
When recording Stalled Parade the trio solicited the help of recording
engineer John McEntire on percussion and keyboards. Recorded in February
of 2000 at Chicago’s Soma Studios, Stalled Parade is another lovely
vista in Eleventh Dream Day’s 17-year journey. Touring ceased years
ago, performances are limited to one or two a year. With only critical
acclaim to line their wallets, Eleventh Dream Day are bound by the same
force that created the group- the enjoyment of playing together and the
musical results. The trio is made up of active musicians; Janet with
Freakwater, Douglas with Brokeback and Tortoise, Rick with Tara Key and
recent work with Smog. The Eleventh Dream Day musical experience is
further validated by these outside endeavors. When the group gathers to
write, play or record, they return to a familiar dynamic bringing new
ideas or new ways to look at their music. "Valrico74" bears the mark
of Janet Bean’s recent work with Freakwater, though clearly it is far
from a Freakwater song. "On Ramp’s" mournful melody echoes Rizzo’s work
with Tara Key on Dark Edson Tiger. Glimpses of McCombs’ textural
adventures with Brokeback appear throughout the record. Along with
Stalled Parade’s new introductions, there are some welcome returns:
Rizzo’s lyrics, narratives directing "Ice Storm, " "Stalled Parade,"
"Interstate" and "Ground Point Zero, " the vocal interplay between Bean
and Rizzo on "Way Too Early on a Sunday Morning, " and the propulsive
combination of McCombs' bass and Rizzo’s guitar. Stalled Parade
is a beautiful record made only more remarkable by the fact that it is
the ninth in a series of exquisitely well-crafted records. It is a
measure of band that exists on terms and standards the members alone
set. When asked to comment on his new record, Rizzo only smiled and
pulled a line from "Interstate" saying simply, "we’ve been here before
and we’ll be back again." The smile and the modesty say as much about
the group as the music.
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