TNT by
Tortoise Thrill Jockey thrill 050 • 1998
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Tortoise's third full-length release, TNT, was written and recorded
during a 10-month interval in 1997. This longer-than-usual
writing/production schedule was purposefully undertaken by the group in
the hopes of crafting an expansive, diverse, yet thematically coherent
offering. Clocking in at 65 minutes, it is certainly the most
substantial Tortoise offering to date. TNT builds upon the spare,
instrumental framework of the group's first, self-titled album, and the
extended edits, melodic adventures, and klangfarben of the subsequent
full-length release, Millions Now Living Will Never Die. Further to
this, Tortoise's interest in the possibilities offered by the remixing
of tracks was realized within the actual production of TNT; individual
elements, sections, or sometimes whole compositions mutate within the
album's shifting framework. These techniques were suitably realized
thanks in part to the use of non-linear digital recording and editing
methods, the first example of such work for the group. In addition,
many of the arrangements push the group's standard instrumentation into
new territories with the inclusion of strings, woodwinds, and brass. The
permanent addition of guitarist Jeff Parker (New Horizons ensemble,
Chicago Underground Orchestra, Isotope 217) to the group's lineup should
be noted; his unique contributions can be felt throughout the album.
Tortoise's long-standing interest in electronic and computer music is
revealed during the unbroken suite of tracks beginning with "In Sarah,
Mencken, Christ, and Beethoven There Were Women And Men," and ending
with "Jetty." Yet TNT remains very much a record produced by a group
of musicians who enjoy presenting their material in a live context. To
this end, the axis of drums-basses-guitars-keyb oards-mallets-percussion
continues to provide both the backdrop and the inspiration for points of
departure in style and sound. For TNT Tortoise is Douglas
McCombs John Herndon Dan Bitney John McEntire David
Pajo Jeff Parker
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