- 01. Katharina
- 02. The Girls Rehearse
- 03. Katja Gives Birth
- 04. The Minotaur (Pt. 2)
- 05. River
- 06. Katja’s Death
- 07. LBS / End Titles
- 08. L’Enfant D’en Haut
- 09. Dernière Montée
- 10. Girl Wurli
- 11. Les Billets
- 12. The Island
- 13. Sara and Tomas
- 14. The Spring Ritual
- 15. Longfellow
- 16. Longfellow Forlorn
- 17. Plein Sud
- 18. A Glass of Wine
- 19. Sam
Ahh the soundtrack.... Ruin of a film or film-maker? A topic perhaps not discussed after a few drinks. If you are going to debate, best to do your research-- and lucky you have the TJ Mailorder staff to help you in this endeavor. Buy the great new John Parish (PJ Harvey guitarist, producer extraordinaire) soundtrack collection Screenplay together with Matthew Friedberger's Matricidal Sons of Bitches!
Screenplay is a collection of scores that captures the beauty of each film, while Matricidal Sons of Bitches is not the soundtrack to not a film! BUT STOP - THAT'S NOT ALL! Back by popular demand, the bastards' hall of fame, the awesome MSoB baseball cards free with your order! This is a set of 6 cards custom silk-screened and wrapped with a sleeve autographed by Matthew Friedberger himself.
Buy them together on CD and save five bucks. To purchase, click 2 CD Bundle, we'll do the rest.
CD version is packaged in a 4 panel mini-LP style gatefold package with a 4 page booklet.
Deluxe 2xLP version includes eight tracks not on the CD version and is pressed on high quality virgin vinyl packaged in a gatefold jacket. A coupon for a free download of the music with a digital booklet is included.
“John Parish, a proper Englishman that knows how to rock" – E (Eels)
“John taught me everything about playing guitar'” – PJ Harvey
John Parish has been a busy man since his last release on Thrill Jockey Records, Once Upon A Little Time, (2005). After producing and performing on PJ Harvey’s Mercury Prize–winning Let England Shake (2011), he completed the soundtracks for several European films including the critically acclaimed Sister (2012), produced albums for numerous artists including Rokia Traore, from Mali, and Norwegian avant garde artist Jenny Hval, both due out this year.
Parish is best known for his work with the acclaimed British artist PJ Harvey, which dates back to when she was backing singer and guitarist in his cult band Automatic Dlamini. He is also an accomplished composer, solo artist, and producer. Parish co-wrote and performed on Eels’ 2001 album Souljacker, and has worked with Sparklehorse, 16 Horsepower, Tracy Chapman, Adrian Utley and Howe Gelb/Giant Sand, among many others.
Parish has been composing film scores since 1998, starting with Patrice Toye’s debut film‘Rosie’:
“It was a natural progression…” Parish explains. “I was making my own records, someone asked me produce theirs - other people liked it and started asking me to produce them… and suddenly I was a record producer. The same sort of thing happened with the film composing - I was approached out of the blue by Belgian director Patrice Toye to score her first full-length movie Rosie. The movie and the score did well and that was the beginning of that strand of my music”.
Parish always had a fascination with soundtracks:
“Growing up, film soundtracks had provided some of my favourite pieces of music – Morricone, John Barry of course, but also Wim Mertens, early John Carpenter, Nino Rota, many others. I could tell that all these influences were buried in my own music, which I thought of as filmic long before I’d ever scored a movie”.
While a couple of his scores have been released as Original Soundtracks, Screenplay is the first that brings his film work into clear focus. He explains:
“Rather than release each one as a ‘Soundtrack to…’ it might be an interesting idea to try and compile an album with the highlights from several movies, something that would be a good listen regardless of whether you have seen the films”.
So Screenplay was born, a collection of scores that captures the beauty of each film giving listeners the sense of the atmosphere without having seen them.
‘Screenplay’ draws from several Parish scores including ‘Nowhere Man’, ‘Plein Sud’’, ‘Sister’ (original title L’enfant d’en Haut) and Patrice Toye’s latest film ‘Little Black Spiders’. 'Sister', directed by Ursula Meier, won the special Silver Bear at the 2012 Berlin Film Festival, and was shortlisted for Best Foreign Language Film at this year’s Oscars. With the amount of music he had written, it was a lengthy process selecting them for Parish, who wanted the album to have its own distinct identity.
Parish recorded most of the songs in his home studio, Honorsound ,in Bristol, UK and at Toybox Studio, Bristol with acclaimed engineer and producerAli Chant (Griff Rhys, Perfume Genius, Euros Childs).
The opening track of Screenplay is ‘Katharina’, from the film Little Black Spiders. Director Patrice Toye asked Parish to write a theme for the main character, Katharina/Katja, a classic tragic heroine. The music reflects both the sadness and the resilience of the character. ‘L’Enfant d’en Haut’ was a piece that magically fell into place by itself during the recording process, “I literally just turned on the amp, plugged in a couple of pedals & that sound was there”. A few notable guest vocalists also feature on the album; Tammy Payne (Jukes) on “The Girls Rehearse”, the Lebanese singer Nadine Khouri on the vinyl version of “Baby’s Coming” and Maika Makovski from Spain for “The Minotaur pt2”.
Screenplay will be brought live to the stage with shows throughout Europe during 2013, including a London show at Queen Elizabeth Hall in May.
Screenplay live band:
JOHN PARISH – guitars, keys, vocals
JEAN-MARC BUTTY - drums
MARTA COLLICA - keyboards, vocals
GIORGIA POLI - bass, vocals ?
JEREMY HOGG - guitar, lap steel